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Colour is the keyboard: Case studies in transcoding visual to sonic

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

3 Scopus citations

Abstract

This chapter discusses the phenomenon of ‘synaesthesia’, the phenomenon in which a visual perception gives rise to a musical sense-impression, or vice-versa. The chapter covers over one hundred years of artists, composers, and inventors developing sculptures, instruments, and systems to transcode visual data into sonic material. This time frame encompasses mechanical, analogue, digital, and hybrid systems. Most of the algorithmic procedures in these case studies are not reversible; in other words, the visuals cannot be generated from the sound. In many cases the visual aspect is not even meant to be seen as part of the experience, while in others the visual aspect is an equal partner in a synaethestic experience.

Original languageEnglish
Title of host publicationThe Oxford Handbook of Algorithmic Music
PublisherOxford University Press
Pages387-422
Number of pages36
ISBN (Electronic)9780190226992
DOIs
StatePublished - Jan 1 2018

Keywords

  • Algorithm
  • Case studies
  • Film sound
  • Historical
  • Image
  • Instruments
  • Inventions
  • Sound
  • Synaesthesia
  • Transcode

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