Abstract
Umberto Eco's A Theory of Semiotics1 is widely regarded as one of the most comprehensive treatments of semiosis.2 It is also a turning point in Eco's itinerary through various forms of interpretive thought.3 Moreover, in the history and development of semiotics in Italy, Eco's opus is a milestone, a historiographical moment of consolidation as well as a compass needle that locates paths and sets agendas for subsequent study.4 After a necessarily compressed synthesis of some fundamental tenets of A Theory of Semiotics, I propose to study three specific aspects: First, how the theory qua Theory is actually constructed, taking into account its component elements, their definition, and their use.
| Original language | English |
|---|---|
| Title of host publication | Cultural Semiosis |
| Subtitle of host publication | Tracing the Signifier |
| Publisher | Taylor and Francis |
| Pages | 23-47 |
| Number of pages | 25 |
| ISBN (Electronic) | 9781317827993 |
| ISBN (Print) | 041591955x, 9780415919555 |
| DOIs | |
| State | Published - Jan 1 2014 |
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