Abstract
Spanning a bridge between Bertrand Russell and medieval churches, Sara Lipton shows that it was medieval Christian art that introduced the idea that moral and spiritual significance resided in Jews' features. She argues that "Jewish" features are something that people need to be trained to see, and once they have become used to see meaning in certain shapes and forms, they may flip the process and, spurred by pre-existing assumptions, begin to see those shapes and forms where they do not, in fact, exist.
| Original language | English |
|---|---|
| Title of host publication | The Medieval Roots of Antisemitism |
| Subtitle of host publication | Continuities and Discontinuities from the Middle Ages to the Present Day |
| Publisher | Taylor and Francis |
| Pages | 183-203 |
| Number of pages | 21 |
| ISBN (Electronic) | 9781351120814 |
| ISBN (Print) | 9781138630888 |
| DOIs | |
| State | Published - Jan 1 2018 |
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